Forever A Wife
As Artists, we spend so much of our lives exploring, expanding and defining who WE are, defining our Selves, and amplifying our unique voices. What happens when the foundation of that Self begins to disappear like crumbling foundations beneath our feet ? Do we become less of ourselves , or somehow more, as we lose our grasp on memories, context and identity?
Forever a Wife, recorded on Oct 9, 2021
Forever a Wife with Creative Audio overlaid on video
Created by Alayna Kellett (Nee Molotkow) / A'Slayna Von Hunt
www.alayna@alayna.ca & www.aslayna@aslayna.com
Instagram: @laynabrett & @aslaynavon
Alayna is a professional dancer, producer, choreographer, adjudicator and model, having graduated from Ryerson University with a BFA in the Performance: Dance program. As a technically trained dancer, Alayna is proficient in ballet, pointe, jazz, modern, contemporary, lyrical, musical theatre, tap and burlesque. During her years of education, she trained under artists like Nadia Potts, Rex Harrington, Roberto Campanella, Kenny Pearl, Allen Kaeja and many more. Alayna trained in BATD, RAD and ADAPT as well as continuing her own education with programs like C.I. Training, Progressing Ballet Technique and IDTS. Recently, Alayna has been working on producing films under Von Hunt Productions, such as ‘In Transit’, which was featured this year at the Digital Toronto Fringe Festival 2021, along with a new film projected to start production in 2022. In addition to recent works, Alayna has performed in and choreographed ‘Tales of a Cocktail’ and ‘Anatomy of a Dancer’, which have been nominated for several Broadway World Awards. Alayna has worked as the resident choreographer for companies like Big Soul Productions, SilverHouse and The Artillery Collective and has choreographed for short and feature films, which include ‘Something for the Buoys’ (Sapling Productions), ‘Bonded’ (Incolour Films), ‘West Side Story’ (Bayside Arts & Pinnacle Playhouse), Gypsy (Stirling Festival Theatre), ‘Hello Again’ (The Artillery Collective) and many more. Alayna’s work has been on stages in productions of HIM International, Starboyz Productions, Fever After Dark and The Darling Mansion and has also worked with the companies FujiFilm, Henry’s, Apple and Bank of Montreal. Alayna has also been a part of productions for international artists such as Feist, Joey Stylez and Juice Bar. Additionally, Alayna has established a residency at a local speakeasy where she regularly performs and choreographs burlesque acts in downtown Toronto, and has performed in notable venues such as The Royal Conservatory of Music, The Gardiner Museum, Roy Thompson Hall and many more. With Alayna’s experience, she is a highly sought-after adjudicator that is registered with the Professional Adjudicators Alliance and is always excited to share those experiences and passions with competitors. In Alayna’s 10+ years of teaching experiences, she has travelled all over Canada and the East Coast to teach, choreograph and adjudicate, as well as creating custom pointe and pointe preparation programs, over-the-top production numbers, conditioning programs as well as award winning choreography by dance studios across the country. Alayna had also spent 2 years as the Jazz Teacher on staff with In-Studio, through the National Ballet of Canada.